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The Music of Pauline Scanlon
by William Ramoutar
Haunting. There is no other word for her music. Her face, not smiling, even expressionless, looking out at you, from her cd covers, belies the power, emotion and talent of this young lady from Co. Kerry.
She sang with Sharon Shannon’s band for a while and probably decided, with her fiancé at the time, Donogh Hennessey, ex-guitar and arranger with the magnificent Lunasa, they could pull the fame trigger on their own. Well, I can only tell you that as many wonderful artists as there are in our tradition, if you haven’t heard Pauline Scanlon, begob, are you in for a shock.
I bought her Red Colour Sun, her first solo cd, purely on spec in a Tower Records shop in Cardiff, South Wales when I went to visit my sister and her family a few years ago, and the songs still swirl around in my head. I listened on the cd player I had brought with me, to spare me the fright of traveling back across the ocean, for the couple of weeks that we were there. I bought the cd the second day we were there and I played it every night after, until we were back home on this side of the pond. There are some days when I think I have escaped! And right back they come, with a vengeance.
From that cd, the song that got me possessed for, well, even till now, is “What Put The Blood”, a song she got from Galway songwriter Tony Small. It starts off slowly with Donogh’s guitar setting the stage with a simple enough chord structure. Yet it is deceiving, because you are being drawn into a murder ballad of epic proportions! I guarantee it will never leave you! She sings how this poor devil of a man kills his child, because of his imperfection, whatever it was and the sad thing about this is, there is a basis in fact, of these things really happening. It probably still goes on today (sorry, I’m straying...).
Let me say that, this traditional ballad becomes little short of being one of the best contemporary story tunes you might ever hear. It builds to a climax, a couple of times with drums and bass too, that fit so well with the voice and guitar and much credit is due to Donogh for the atmospheric landscapes he paints with her music. Heartbreaking story, but blending the two worlds of old and new has to take some expertise, and I doubt anyone will make a better offering of this wonderful piece of history.
She sings a John Spillane tune, "All the ways you wander" (he of the famous Cork band Nomos, that quit way too early) which he wrote for his daughter. It sends shivers down your spine with her tremulous voice, just accented with echo and double tracking.
"Warm Despite the Chill" and "Churchyard" are certainly more contemporary than anything, but have that repetitive hook that grabs you and won’t let you go.
"The Boys of Barr na Sraide" is an old rebel song, that if you know the story, will bring you to tears, because of Pauline’s sensitive telling of their exploits. She sings this one unaccompanied also, just echo and all talent.
Her second cd, Hush, is almost country on some tracks, but the stories are there as well.
Her "In Shame Love, In Shame" is merciless on your mind also, because of the same qualities she has ingrained in her vocal stylings, and yet again Donogh’s superb abilities to know just where to put what sound. They are some team. That old "Wearing the Britches" song is here and if you ask me, they each have a leg in the pants. They fit so well together. Snug, that’d be a good word for it. I think sitting down in an auld "snug" in a pub in any part of the world would be the finest way to sample her music, but maybe we’ll just settle for listening to her on these pieces of plastic, until that day.
Fair play to the pair of them, they have the world of music at their feet. No doubt about it. "Hush"! Theirs is a "Red Colour Sun".
Photo Credits: Giorgia Bertazzi, Jill Furminovsky, Mossie Donegan and Brendan O'Regan
Web Site: Pauline Scanlon
For Red Colour Sun CD and audio samples click Red Colour Sun.
For Hush CD and audio samples click Hush.
BIO William Ramoutar
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Review written by William Ramoutar Presenter of Irish Ways Radio Programme, St Augustine Florida
Wed, Mar 22, 2017
The Galway Hooker
This unique vessel, with its distinctive curved lines and bright red sails, originated in the village of Claddagh. During the 19th century, hookers supported a significant fishing industry and also carried goods, livestock and fuel. Seán Rainey is remembered for building the last of the original boats, the Truelight, for Martin Oliver who was to become the last king of the Claddagh; as king, he was entitled to white sails on his boat. Since the mid seventies, many of the old sailing craft which were on the verge of extinction have been lovingly restored and new ones have been built. During the summer months they can be seen at festivals such a Cruinniú na mBád - the Gathering of the Boats - in Kinvara.
Click for More Culture Corner.
Derek Bell recorded Carolan's Receipt in 1975, the same year he joined the Chieftains. The selections include "Sídh Beag agus Sídh Mór," the first melody O'Carolan composed, as well "Carolan's Farewell to Music," which was his last. There have been dozens of settings of O'Carolan's compositions released since these, but none have surpassed the beauty of Bell's.
See our Article on O'Carolan
Click here for Carolan's Receipt.