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St. John's Eve in old Ireland
Unless the weather proved too cold, summer swimming in the river began on St. John's Day and the observance of the festival was supposed to eliminate all danger of drowning.
...in my early youth near Knockaderry, County Limerick, I remember a curious custom repeated each St. John's Eve. The young people used to gather from the marshy ground near the river Deel the large leaf and strong stem the hocusfian as it was called and each youth armed with one of these went around lightly striking each person that he or she met. This was supposed to protect those who were struck from illness and evil influences during the coming year. Afterwards, the hocus stems were thrown into the fire. Here, too, people threw into the fire specimens of the most troublesome weeds in the district - this was supposed to protect the fields from these weeds.
Old people told me that it was customary to jump over the fire from side to side. Some wise elder claimed to be able to tell, from the manner of jumping and the flickering of the fire, whether the jumpers were guilty or not of certain misdemeanors, such as theft or misbehavior with women.
Some people used to take the ashes from the fire then extinct on St. John's morning to scatter them on their fields. At the close of the festival too about after midnight any man who had built a new house or had nearly completed it took from the bonfire a shovel of red hot sods to his new home so that the very first fire there would be started by the ceremonial bonfire.
About the year 1905 a very old man told me that his grandfather had told him that in his young day - in the late 18th century - the young men used to walk through the fields with lighted torches and then cast these into the fire. This was supposed to bring a blessing on the fields and protect the crops from harm.
It was widely believed that a house built on a path frequented by the fairies and other such uncanny travellers would suffer from midnight noises or supernatural manifestations. Perhaps too, ill luck in the farm or personal illness might afflict the family. One remedy for these evils was to bring on St. John's Eve portion of the blessed fire and to build with them on the path in several places small fires which would be left burning until morning.
It was also customary that small objects of piety, such as rosary beads, little statues or scapulars, when they became broken or worn out were destroyed without disrespect by being burned in the Midsummer Fire."
While this very-much abbreviated description of St. John's Eve still captures this writer's imagination, it overlooks the fact that there used to be two very distinctive fire traditions. The first was the one the old school master mentions - the large communal bonfire assembled and lit by the residents of an entire townland or village - and sometimes the whole parish! But, the equally as important tradition that he doesn't mention is the one where small fires were lit by individual households. In contrast to the revelries of the community event, these were quiet occasions where the main concern was in observing the protective rituals. About the only merry-making one might have witnessed was younger children playing around the fire.
But, enough of the peace and quiet. Back to the fun and frolic of a community festival!
For several days beforehand, children and young people went from house to house asking for donations for the blessed fire. It was considered very unlucky to refuse. In fact, at some fires, the names of generous donors were called out and the crowd would cheer. But then, the names of the miserly were also announced and these were greeted with jeers and catcalls.
Imagine what it must have been like. Around the fire were assembled all the people of the locality - from the smallest children to the oldest men and women. As the sun set, the fire was lit. Usually, this honor was given to a knowledgeable elderly man who would say the traditional prayer for the occasion. One verse of this prayer is:
In the honor of God and St. John, to the fruitfulness and profit of our planting and our work, in the the name of the Father and of the Son and of the Holy Spirit. Amen.
In many places, the older people continued the preliminary proceedings with more prayers. Afterwards, the merry-making began. As the flames and sparks shot up, loud cheers would arise from the crowd, horns were blown and some people beat on tin cans. The musicians struck up and the young men asked their partners to dance. In-between sets, songs were sung, storys were told, and soloists - musician or dancer - demonstrated their talents. By now the fire would be well ablaze. People leapt through the flames for luck in a new venture, or marriage, when trying for a baby, for good health and for self-purification. Farmers leapt high so their crops would grow tall. In many places, a young woman and man would join hands and jump together. Often, this was nothing more than a mere flirtation, but onlookers took it for granted that there was some intention of marriage between the pair. Some observers would even go as far as to predicting the outcome of such a union by the way the flames flickered as the couple jumped!
It was indeed, a grand time enjoyed by all. But, perhaps the best part of celebrating a Celtic festival is that it continues until sunset the next day. So, for more on the traditions and customs of Midsummer in old Ireland, click for St. John's Eve, Part Two.
Resources: The Year in Ireland by Kevin Danaher and Superstitions of the Irish Country People by Padraic O'Farrell.
The Long Room, Trinity College Library, Dublin
One of Dublin's most popular visitor attractions, it houses 200,000 of the Library's oldest books, including the Book of Kells. Originally built between 1712 and 1732, its roof was raised to accommodate an upper gallery in 1860. The Long Room also holds one of the last remaining copies of the 1916 Proclamation of the Irish Republic as well as the Brian Boru harp- the oldest of its kind in Ireland dating back to the 15th century. The room is lined with marble busts - a collection that was formed when 14 busts from the famous sculptor Pieter Scheemakers were acquired by the college.
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March 4, 2011
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